Auditions Sharpen Skill

Auditions are often viewed by many as a necessary evil to advancing oneself in the performing arts career. They are certainly no walk in the park, otherwise everyone and their mother would be doing them. They were perceived and described to be vital parts of one's career. No problems with that perspective. But they were so often regarded as hard, scary, stringent exercises in one's will to succeed regardless of the reception the one auditioning got from the panel of judges. Again, I don't disagree fully but perhaps they could be perceived slightly differently to benefit more the performer's efforts and career.

Recently I was listening to some motivational CDs. In the middle of one CD the man mentioned a crucial thought to improving one's career. He had been speaking about the necessity for employees to increase their own worth in the eye's of their boss. He said something like this: (paraphrase) Go take interviews as a way to sharpen your skills and continue learning and growing.

As a musician I equated this, of course, to the audition (really an interview but with a different name). Having recently taken an audition myself I began reflecting on my thought that I had improved since the last one. This could be a part in the perspective that I have been missing all along, making auditions a dreaded and fearsome experience for me?

Interviews, auditions in my case, can really be looked upon as exercises in improving skill, adapting to surroundings, finding out how to play better, what to do before hand, how to act while in the room with the judges, etc. Those auditions are meant to make me a better player and person. They aren't there only for me to win, as it were, but to sharpen my ability.

For me, it was a revelation to think of those feared moments in a new way. This paradigm shift has implications well beyond any audition but also to the career itself where we performing artists are seeking to hone our skill every day. The audition is just another tool in the kit.

Auditions: The Music

For many musicians playing in orchestra is a way of life and a pay check. Getting into an orchestra that pays anything is no easy matter however. There's a lot of preparation and practice that must be done with utmost diligence before one actually sits in the section during concerts and plays. What goes into an audition? What must one prepare, and how?

The first part of auditions begins months before the day of reckoning. You have sent your resume and the personnel manager from the orchestra has given you the repertoire list. It is time to look it over and make sure all the excerpts on the list are in your possession. The list may look something like this:

1. Solo of your choice from any standard concerto. Or.... Either the first movement of Haydn concerto in D major or Dvorak concerto in B minor.
2. Orchestral excerpts
1. (List of 8 to 10 symphonies and the excerpts)
3. Possible sight reading

Which concerto to choose? Romantic, Classic, Modern? Excerpts are funny. They are pulled way out of context and yet they are used to determine one's ability to play the music in an informed and sensitive manner.  

Actually, I think I'm done with this post already. Auditions kinda annoy me so I'll have to get back to this a later time when I have a more level headed take on them.